Other: installations, commissions, print, curatorial work, essays


Algo Fluorescente. Multichannel installation at Laboral, Gijón, July-August 2015.

Hardly Itself Guy Birkin and Roc Jiménez de Cisneros. Booklet. ALKU 139.

Opus17aSlimeVariation#5 multichannel installation at Call&Response, London, March~May 2015.

Kobol-acid-inflatable-jump multichannel piece for computer-controlled RSF Kobol synthesizer. Recorded at Phonos, Barcelona. Premiered at Mutek, March 2015.


Music for Serafín Álvarez's Maze Walkthrough, real-time 3D game/environment.

Opus 17a FAT Interval. Installation in the group show Interval, 11/2014 ~ 01/2015, Fundació Antoni Tàpies, Barcelona.

Opus 17a (parking lot version). Piece for the show Spectrum. Is Anybody There?, september 2014, Ars Electronica, Linz.

Pareidolia in Recent Rave Synthesis. Video piece. September 2014, ICA, London.

Hyperobject 1 exhibited at OFF SENSES | FUTURE SENSES, august 2014, GEMAK, The Hague.

Assorted awesomeness on Richard Sides' film Don't Blow it in the Vector, summer 2014, Kunsthalle Winthertur and London ICA.

Music for Sergio Caballero's film Ancha es Castilla/N'importe quoi.

Hyperobject 1 exhibited at Art Brussels, april 2014, Brussels.

Untitled piece for ¡Volumen! Liner notes here (in Spanish). January 2014, La Casa Encendida, Madrid.


EVOL 12"s for Sergi Botella's solo show Tallar-se una ungla per netejar la merda de les altres. La Capella, Barcelona, 09/10 - 17/11.

Stephen and Roc's contributions to Ben Vida and Jeff DeGolier's Metal Fatigue Music (1992 Toyota Previa) site specific audio piece. Audio Visual Arts, New York. May 2013.

Post-Àcid Autònom, residency and workshop at Hangar, Barcelona, 4/03/13 - 04/04/13. Part of the Addicted2Random project, kindly supported by the European Commission for Education and Culture.


Like a balloon producing balloons, producing balloons, a piece for the group show Recurrence, repetition, hypnosis and ritual, curated by Paul Purgas. Färgfabriken, Stockholm, 6/12/12 – 13/01/13.

8052 events? By Ruben Patiño and Roc Jiménez de Cisneros. Studio Loos, Den Haag, November 2012.

Mentasmic Score for Wave Field Synthesis System Game Of Life, Den Haag. Premiered June 2012 in Barcelona.

Gas horn solo on Un mystique determinado by Hidrogenesse, on their album Un dígito binario dudoso dedicated to Alan Turing.

A very short proof of Forester's rigidity result by Mark Fell and Roc Jiménez de Cisneros exhibited as part of Sound Art. Sound as a Medium of Art at ZKM Media Museum, curated by Peter Weibel. March 17 2012 - January 6, 2013.

Supersimetria. Entorn a l'extrem i la percepció. 3-day music festival, Espai Cultural CajaMadrid, Barcelona. Curated by Anna Ramos and Roc Jiménez de Cisneros.

Continuum, expanded. For computer and strobe light, as part of the Sound Spill group show, curated by Haroon Mirza, Thom O’Nions and Richard Sides. Galerie West, Den Haag.


Bastardi Sferici, piece for the PARADOXES series at the Ravenna Planetarium, commissioned by Lorenzo Senni.

Four Consecutive Steps Towards Middle World, by Anna Ramos and Roc Jiménez de Cisneros. Ultrasonic bat recordings for the radio project As Slow As Possible, curated by Vicki Bennett.

Continuum, expanded. Installation for the Sound Proof 4 group show, London. 13 November to 11 December 2011.

Tetralemma + Tetrafluoroethane. Multi-channel audio piece for computer and hand-held gas horns. Commissioned by Lampo and the Graham Foundation for Advanced Studies in the Fine Arts, Chicago. October 2011. See programme notes here.

Rara Avis. Multi-channel installation featuring Oswald Berthold, Chris Brown, Anders Dahl, Joe Gilmore, Fredrik Olofsson, Tim Perkis, Roc Jiménez de Cisneros, Peter Worth. CosmoCaixa Museum of Science, Barcelona, June 16-19.

Edge effects and recursive archives. A mix made exclusively using archival material found in the SONM collection.

Stroop Anthem #1. Video piece at MK Gallery, London.

Editing and programming for The Otolith Group's The Secret King in the Empire of Thinking. Part of the show "Thoughtform", MACBA.

Supersimetria. Nous llenguatges en la música per ordinador actual. 3-day computer music festival, Espai Cultural CajaMadrid, Barcelona. Curated by Anna Ramos and Roc Jiménez de Cisneros.


Proposal for Nobel Peace Prize ceremony inside the grain silos in the town of Máximo Paz in Santa Fe, Argentina. By Anna Ramos and Roc Jiménez de Cisneros. Unofficial Nobel Peace Prize Internet Exhibition 2010, curated by Alejandra Salinas and Aeron Bergman.

Two conspicuous vocalisation posets. Piece for solo computer, written for a sound installation at Sheffield's Winter Garden, 13/06/10. Curated by Mat Steel and Mark Fell.

A very short proof of Forester's rigidity result by Mark Fell and Roc Jiménez de Cisneros in Istanbul. May 22 - September 19, 2010.

Displacement vectors, acoustic. Piece for headphones, Spor Festival, Aarhus.

The Uncertainty Principle. Communication and ambiguity in the work of John Baldessari. Interview with John Baldessari for MACBA's RWM.

Hands in the air, reach for the laser Sound installation at Diapason Gallery, New York. March 2010.

Screening of Ballooney Punani in There is no solution because there is no problem, Sheffield, UK. Curated by Richard Sides & Angharad E P Williams.


Vuit invocacions tritòniques by Rubén Patiño and Roc Jiménez de Cisneros. 8-channel sound piece for the Zeppelin electroacoustic music festival: Sonidos del poder / Escuchas del miedo. Barcelona, 2009.

Studies for Untitled Punani Scramblings by Anna Ramos and Roc Jimenez de Cisneros. 111 A3 PDFs for Tolga Taluy's exhibition mybiennialisbetterthanyours.com. Xth Biennale de Lyon. 14/09/09 | 03/01/10. Download the zip here.

Recordings of bat calls, by Anna Ramos and Roc Jiménez de Cisneros, 2009. Belsona Academy podcast series #2.

Blackout. Representation, transformation and de-control in the sound work of Yasunao Tone. Essay by Roc Jiménez de Cisneros for MACBA's Audio Notebooks series. ISSN: 2013-4681

Interview with Roc Jiménez de Cisneros in the book AUDIO HACKLAB, published by MARCO, Museo de Arte Contemporaneo de Vigo.

Programming assistance for V-DOC's interactive video interface.

Natura Interŝanĝo 2, world music mix by Rubén Patiño and Roc Jiménez de Cisneros.


A very short proof of Forester's rigidity result. Generative multi-channel audio piece by Mark Fell & Roc Jiménez de Cisneros for Matthew Ritchie's The Morning Line anti-pavillion. 3rd International Art Biennial of Seville. 2008.

Natura Interŝanĝo, world music mix by Rubén Patiño and Roc Jiménez de Cisneros.

Light and Sound. Installations / performances program at Sonarama, Sónar 2008. Featuring works by Edwin van der Heide, Mark Fell, et al. Curated by Roc Jiménez de Cisneros, Anna Ramos, Oscar Abril Ascaso and Advanced Music.

Avant. Research/documentary programmes for MACBA's online radio.

Programming assistance for NJP's Rainbows installation.

Programming assistance for Joe Gilmore's Untitled Folder on Fallt. 3.5" Disk + AppleScript | F.0011.0001 - .0002


Malleus Maleficarum ii-i-vi, Punani Rendition. Audio piece for SoundLab, Köln. Based on Heinrich Kramer and James Sprenger's "Malleus Maleficarum" (1486), excerpt from “Part II., Question I. Chapter VII: How, as it were, they Deprive Man of his Virile Member.” Transcribed by Wicasta Lovelace and Christie Rice.

The Flying Scotchman. Soundtrack for The Flying Dutchman video installation on Michaël Sellam's We came in peace solo exhibition. Pascal Van Hoecke Gallery, Paris, France. 26.04.07 - 19.05.07

LESS-LETHAL, vol. 1. Compact Disc. A compilation about sound-based nonlethal weaponry. Compiled and edited by Anna Ramos and Roc Jiménez de Cisneros, ALKU.

Fractals. De la natura a l'algoritme. Fractal geometry image collection and presentation. Centre Cultural Can Fabra, Barcelona, Spain.


Del RAW a la Xarxa Energètica Mundial, RAW Idees (EspaiZERO1, Olot, 2006).

6-pack. An open-hardware mini-controller-Arduino-based shield.

Terror. Digital work. Part of the SonarSound/Sonarfiles group exhibition. Seoul, Korea, 12.10.06 - 18.10.06

foofoofoo. Digital work. Part of the r4wb1t5 micro.Fest, Chicago, US. 21.01.06


Ballooney Punani. Video. 01:00. Shown as part of the Electronic Shorts program at Sonarcinema, Sónar festival, Barcelona, Spain.

Entrevista a IMBÉCIL - CASM in CASM VOL. 1 Ed. Actar D (2005).

Mayo.py. Video. 04:58. Archivos Mayo DVD and group exhibition at EspaiZERO1 (Olot, Spain) curated by Joystick.

Alku-Thai. Installation. Part of the About/Into Structures group exhibition curated by Martí Manen. AARA Gallery, Bangkok, Thailand. 25.06.05 - 25.8.05

Ghost in the Shell. Digital works compilation curated by Imbecil. Part of the Sónar a la Carta exhibition. Sónar festival, Barcelona, Spain. 16.06.05 - 18.06.05

foofoofoo. Digital work. Part of the ZeroM3 project. Barcelona-Göteborg, Spain-Sweden.

foofoofoo + Imbecil selection. Installation/Digital works. Part of the Forget It! / Private Databases exhibition. Garage festival, Stralsund, Germany. 22.07.05 - 13.08.05

Imbecil selection. Installation. Part of the 2005 group exhibition. Lab.30, Augsburg, Germany. 03.11.05 - 05.11.05

Software y creación audiovisual, El sonido de la Velocidad Ed. Alpha Decay (2005).


Formatissimo. Generative audio program comissioned by The Media Centre, Huddersfield, UK. Part of the rand()% project.

e+. Installation. Part of the rand()%lab group exhibition. Medialounge, The Media Centre, Huddersfield, UK, 04.11.04 - 07.01.05

Caos, aleatoriedad, fractales y audio, Zehar #53 (2004).

El ruido de las matemáticas, Zemos98 (Sevilla, 2004).

Utilidad, absurdo y técnica in Quaderns d'Arquitectura i Urbanisme #242 (2004).


Imbecil selection and distribution. Installation. Part of the Aire Incondicional group exhibition curated by Platoniq, Shedhalle, Zürich, Switzerland. 13.02.04 - 04.04.04


Poster. Print. Part of the Take Away group exhibition. Can Felipa, Barcelona, Spain.

Una conversación con Miller S. Puckette | SonarText, Sónar catalogue (2001).


Sitio. Installation. Part of the SonarMàtica'99 group exhibition. Sónar festival, Barcelona, Spain. 17.06.99 - 19.06.99

Page last modified on July 27, 2015, at 02:24 PM | © EVOL ---------Edit